{"id":4115,"date":"2019-12-10T12:20:35","date_gmt":"2019-12-10T11:20:35","guid":{"rendered":"http:\/\/revistaeco.cepcordoba.es\/?p=4115"},"modified":"2019-12-18T12:45:42","modified_gmt":"2019-12-18T11:45:42","slug":"aproximacion-a-las-competencias-perceptivo-atencionales-expresadas-por-pianistas-al-interpretar-musica-en-grupo","status":"publish","type":"post","link":"http:\/\/revistaeco.cepcordoba.es\/index.php\/2019\/12\/10\/aproximacion-a-las-competencias-perceptivo-atencionales-expresadas-por-pianistas-al-interpretar-musica-en-grupo\/","title":{"rendered":"APROXIMACI\u00d3N A LAS COMPETENCIAS PERCEPTIVO-ATENCIONALES EXPRESADAS POR PIANISTAS AL INTERPRETAR M\u00daSICA EN GRUPO"},"content":{"rendered":"\n

AUTOR<\/strong>:<\/h4>\n

Andr\u00e9s M\u00aa Cosano Molleja<\/strong><\/h4>\n

Conservatorio profesional de M\u00fasica \u201cM\u00fasico Ziryab\u201d de C\u00f3rdoba \u00a0<\/strong><\/p>\n

RESUMEN<\/b><\/span><\/span><\/p>\n

Los int\u00e9rpretes de piano durante el estudio e interpretaci\u00f3n no s\u00f3lo movilizan una serie de segmentos musculares implicados en la realizaci\u00f3n instrumental, igualmente activan \u00e1reas cerebrales relacionadas directamente con la percepci\u00f3n musical. En la interpretaci\u00f3n musical en ensemble, la comunicaci\u00f3n no verbal: gestual, visual y auditiva, cumple el papel de establecer las conexiones necesarias para precisar en los par\u00e1metros musicales que intervienen en la interpretaci\u00f3n.<\/p>\n

Se afirma que un alto nivel perceptivo y atencional que facilite una eficaz consciencia ac\u00fastica y audici\u00f3n proactiva y reactiva beneficiar\u00e1 el resultado sonoro.<\/p>\n

ABSTRACT<\/b><\/span><\/span><\/p>\n

Pianists during their practice and performance not only mobilise a series of muscular sections that are involved in performing, by the same token they act\u00edvate cerebral areas directly related in musical perception. In chamber music, non verbal communication as body-language, visual and auditory communication, achieves the role\u00a0 of establishing a bond for enhancing in musical factors that take part during performance.<\/p>\n

What can be stated is that a high perceptual and attentional level that provide an effective acustic awareness and proactive and reactive hearing will be a benefit to resonant result.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

AUTOR: Andr\u00e9s M\u00aa Cosano Molleja Conservatorio profesional de M\u00fasica \u201cM\u00fasico Ziryab\u201d de C\u00f3rdoba \u00a0 RESUMEN Los int\u00e9rpretes de piano durante el estudio e interpretaci\u00f3n no s\u00f3lo movilizan una serie de segmentos musculares implicados en la realizaci\u00f3n instrumental, igualmente activan \u00e1reas cerebrales relacionadas directamente con la percepci\u00f3n musical. En la interpretaci\u00f3n musical en ensemble, la comunicaci\u00f3n … <\/p>\n

Seguir leyendo<\/a><\/p>\n","protected":false},"author":1,"featured_media":4176,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[700,699],"tags":[709,711,712,710],"class_list":["post-4115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos-e-co-extra-e-artisticas","category-e-co-extra-e-artisticas","tag-audicion-proactiva-y-reactiva","tag-comunicacion-no-verbal","tag-consciencia-acustica","tag-percepcion-musical","nodate","item-wrap"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"http:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2019\/12\/Portada-descarga-articulo-extra-EAS.jpeg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8j08t-14n","_links":{"self":[{"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/4115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/comments?post=4115"}],"version-history":[{"count":12,"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/4115\/revisions"}],"predecessor-version":[{"id":4259,"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/4115\/revisions\/4259"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/media\/4176"}],"wp:attachment":[{"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/media?parent=4115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/categories?post=4115"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/tags?post=4115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}