{"id":5576,"date":"2023-06-13T07:16:16","date_gmt":"2023-06-13T06:16:16","guid":{"rendered":"http:\/\/revistaeco.cepcordoba.es\/?p=5576"},"modified":"2023-06-13T07:28:25","modified_gmt":"2023-06-13T06:28:25","slug":"proporcion-cordobesa","status":"publish","type":"post","link":"http:\/\/revistaeco.cepcordoba.es\/index.php\/2023\/06\/13\/proporcion-cordobesa\/","title":{"rendered":"PROPORCI\u00d3N CORDOBESA"},"content":{"rendered":"

AUTORAS\/ES:<\/strong><\/h3>\n \n

Rodrigo Garc\u00eda Cota (Coord.);<\/strong>\nMar\u00eda del Roc\u00edo Alc\u00e1ntara Moreno;\u00a0<\/strong>\nMarta Mar\u00eda Berral Matas;<\/strong>\nJos\u00e9 Manuel Herrera Moyano;<\/strong>\nJos\u00e9 Alberto Reyes Mart\u00edn;<\/strong><\/h4>\nEscuela de Arte Mateo Inurria<\/em> (C\u00f3rdoba)\n

RESUMEN<\/strong><\/h4>\n\n\n\n\n \n\nA menudo, en las disciplinas dedicadas al dise\u00f1o, se estudia la proporci\u00f3n \u00e1urea. La \u201cdivina proporci\u00f3n\u201d fue descrita por Euclides tres siglos antes de Cristo y se caracteriza por su armon\u00eda matem\u00e1tica y est\u00e9tica. A principios de los a\u00f1os setenta, Rafael de-La Hoz Arderius puso nombre a la denominada \u201cproporci\u00f3n cordobesa\u201d. El arquitecto cordob\u00e9s argument\u00f3 la presencia de dicha relaci\u00f3n matem\u00e1tica en edificaciones locales y obras de arte internacionales en distintas \u00e9pocas.\n\nEn este grupo de trabajo realizado por profesorado de la Escuela de Artes Mateo Inurria de C\u00f3rdoba, se ha pretendido difundir el trabajo realizado por de-La Hoz e investigar acerca de sus posibilidades formales en el \u00e1mbito de las disciplinas de dise\u00f1o.\n\n\n

ABSTRAT<\/strong><\/h4>\nFrequently, in design disciplines, the golden ratio is studied. The \u00abdivine proportion\u00bb was described by Euclid three centuries before Christ and is characterized by its mathematical and aesthetic harmony. At the beginning of the seventies, Rafael de-La Hoz Arderius gave the name to the so-called \u201cCordovan proportion\u201d. The Cordovan architect argued the presence of this mathematical relationship in local buildings and international works of art at different periods.\n\nIn this work group carried out by the teaching staff of the Mateo Inurria School of Arts in C\u00f3rdoba, the aim has been to disseminate the work carried out by de-La Hoz and to investigate its formal possibilities in the field of design disciplines.\n\n\"\"<\/a>","protected":false},"excerpt":{"rendered":"

AUTORAS\/ES: Rodrigo Garc\u00eda Cota (Coord.); Mar\u00eda del Roc\u00edo Alc\u00e1ntara Moreno;\u00a0 Marta Mar\u00eda Berral Matas; Jos\u00e9 Manuel Herrera Moyano; Jos\u00e9 Alberto Reyes Mart\u00edn; Escuela de Arte Mateo Inurria (C\u00f3rdoba) RESUMEN A menudo, en las disciplinas dedicadas al dise\u00f1o, se estudia la proporci\u00f3n \u00e1urea. La \u201cdivina proporci\u00f3n\u201d fue descrita por Euclides tres siglos antes de Cristo y … <\/p>\n

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