{"id":3401,"date":"2019-05-02T03:17:04","date_gmt":"2019-05-02T02:17:04","guid":{"rendered":"http:\/\/revistaeco.cepcordoba.es\/?p=3401"},"modified":"2019-05-03T11:13:48","modified_gmt":"2019-05-03T10:13:48","slug":"la-intuicion-artistica-de-un-maestro-mariano-bertuchi","status":"publish","type":"post","link":"https:\/\/revistaeco.cepcordoba.es\/index.php\/2019\/05\/02\/la-intuicion-artistica-de-un-maestro-mariano-bertuchi\/","title":{"rendered":"LA INTUICI\u00d3N ART\u00cdSTICA DE UN MAESTRO: MARIANO BERTUCHI"},"content":{"rendered":"<p><strong>AUTORA<\/strong><\/p>\n<p><strong>Mar\u00eda Dolores Jim\u00e9nez Valiente<\/strong><\/p>\n<p>Asesora de\u00a0Ense\u00f1anzas Art\u00edsticas de R\u00e9gimen Especial, CEP C\u00f3rdoba<\/p>\n<p><strong><a href=\"mailto:mariad.jimenez.valiente.ext@juntadeandalucia.es\">mariad.jimenez.valiente.edu@juntadeandalucia.es<\/a><\/strong><\/p>\n<p><strong>RESUMEN<\/strong><\/p>\n<p style=\"text-align: justify;\">En el documento que aqu\u00ed presentamos sobre Mariano Bertuchi analizaremos\u00a0 las dos\u00a0 etapas m\u00e1s importantes de su vida: la\u00a0 primera estructurada con la suma de sus datos biogr\u00e1ficos junto a una breve evoluci\u00f3n profesional y\u00a0 en segundo lugar las desarrolladas como Inspector Jefe de los Servicios de Bellas Artes y Artes Ind\u00edgenas del Protectorado espa\u00f1ol en Marruecos (1912-1956).\u00a0 Bertuchi\u00a0 pintor y docente,\u00a0 llegado a su edad madura,\u00a0 asentado ya en su querida Marruecos,\u00a0 se nos presenta como el gran defensor de las artesan\u00edas populares, tras ser nombrado director de la Escuela de Artes Ind\u00edgenas y como precursor del arte contempor\u00e1neo en Marruecos al\u00a0 fundar la Escuela Preparatoria de Bellas Artes de Tetu\u00e1n.<strong>\u00a0<\/strong><\/p>\n<p><strong>ABSTRACT<\/strong><\/p>\n<p style=\"text-align: justify;\">This paper divides the most important periods of Mariano Bertuchi\u2019s life in two parts: the first one revolves around his biographical data and a brief professional trajectory, while the second deals with him as Chief Inspector of Fine Arts Services in the Spanish Protectorate in Morocco (1912-1956). Bertuchi, a painter and a teacher, settled down in his beloved Morocco in his mature years. He presents himself to us as the greatest advocate for folk arts and crafts after being appointed Director of the School of Indigenous Arts, and as a forefather of contemporary art in Morocco as he founded the Arts Preparatory School of Tetouan.<\/p>\n<p><a href=\"http:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2019\/04\/Jimenez.pdf\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3159 size-medium\" src=\"http:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2019\/04\/revistaCEP_numero16_portada_descarga-pdf-1-212x300.png\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2019\/04\/revistaCEP_numero16_portada_descarga-pdf-1-212x300.png 212w, https:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2019\/04\/revistaCEP_numero16_portada_descarga-pdf-1-768x1086.png 768w, https:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2019\/04\/revistaCEP_numero16_portada_descarga-pdf-1-724x1024.png 724w, https:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2019\/04\/revistaCEP_numero16_portada_descarga-pdf-1.png 794w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AUTORA Mar\u00eda Dolores Jim\u00e9nez Valiente Asesora de\u00a0Ense\u00f1anzas Art\u00edsticas de R\u00e9gimen Especial, CEP C\u00f3rdoba mariad.jimenez.valiente.edu@juntadeandalucia.es RESUMEN En el documento que aqu\u00ed presentamos sobre Mariano Bertuchi analizaremos\u00a0 las dos\u00a0 etapas m\u00e1s importantes de su vida: la\u00a0 primera estructurada con la suma de sus datos biogr\u00e1ficos junto a una breve evoluci\u00f3n profesional y\u00a0 en segundo lugar las desarrolladas &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/revistaeco.cepcordoba.es\/index.php\/2019\/05\/02\/la-intuicion-artistica-de-un-maestro-mariano-bertuchi\/\">Seguir leyendo<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[591,590],"tags":[689,691,690,692],"class_list":["post-3401","post","type-post","status-publish","format-standard","hentry","category-articulos-e-co-numero-16","category-e-co-numero-16","tag-bertuchi","tag-escuela-de-artes-indigenas","tag-escuela-preparatoria-de-bellas-artes","tag-protectorado-espanol","nodate","item-wrap"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8j08t-SR","_links":{"self":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/3401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/comments?post=3401"}],"version-history":[{"count":6,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/3401\/revisions"}],"predecessor-version":[{"id":3622,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/3401\/revisions\/3622"}],"wp:attachment":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/media?parent=3401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/categories?post=3401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/tags?post=3401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}