{"id":4145,"date":"2019-12-10T12:21:44","date_gmt":"2019-12-10T11:21:44","guid":{"rendered":"http:\/\/revistaeco.cepcordoba.es\/?p=4145"},"modified":"2019-12-12T21:53:06","modified_gmt":"2019-12-12T20:53:06","slug":"mujer-frente-al-espejo-un-proyecto-intimo-de-practica-como-investigacion","status":"publish","type":"post","link":"https:\/\/revistaeco.cepcordoba.es\/index.php\/2019\/12\/10\/mujer-frente-al-espejo-un-proyecto-intimo-de-practica-como-investigacion\/","title":{"rendered":"MUJER FRENTE AL ESPEJO. UN PROYECTO \u00cdNTIMO DE PR\u00c1CTICA COMO INVESTIGACI\u00d3N"},"content":{"rendered":"\n

AUTORA:<\/strong><\/h4>\n

Sol Garre Rubio<\/strong><\/h4>\n

\u00a0<\/strong>Real Escuela Superior de Arte Dram\u00e1tico de Madrid \u00a0<\/strong><\/p>\n

RESUMEN<\/b><\/span><\/span><\/p>\n

Das Letzte<\/em> es una pieza de minuto y medio de video-danza basado en un poema de Else Lasker-Sch\u00fcler. La danza y el movimiento de la actriz-bailarina dio origen a Mujer frente al espejo<\/em>. Este v\u00eddeo servir\u00e1 para introducir la pr\u00e1ctica-como-investigaci\u00f3n en interpretaci\u00f3n en arte dram\u00e1tico que presento en este art\u00edculo. El planteamiento marco es \u201cUn cierto sentido de la realidad\u201d, un proyecto de investigaci\u00f3n sobre la percepci\u00f3n y los procesos creativos que regulan el comportamiento y actitud del actor y actriz en su comunicaci\u00f3n con el espectador. Mujer frente al espejo<\/em> es una performance-conferencia que explora con el p\u00fablico la calidad de nuestra atenci\u00f3n y la disponibilidad necesarias para compartir nuestras experiencias y sensibilidad como seres humanos. Mediante la pr\u00e1ctica esc\u00e9nica se debate sobre el significado del \u201camor en nuestra profesi\u00f3n\u201d, tal y como Michael Chejov defini\u00f3 y relacion\u00f3 con los procesos psicof\u00edsicos que sustentan la presencia y la imaginaci\u00f3n en el escenario. Este art\u00edculo, en concreto, discute el papel que esta facultad humana juega en la apertura de conciencia y la disponibilidad necesaria para hacer part\u00edcipe al artista de su proceso creativo.<\/p>\n

ABSTRACT<\/b><\/span><\/span><\/p>\n

Das Letzte<\/em> is one and a half minute dance video based on a poem by Else Lasker-Sch\u00fcler. The dance and movement of the actress-dancer created Woman in front of the mirror<\/em>. This short video serves to introduce the practice-as-research concerning theatre acting in this paper. This piece is part of a bigger research project entitled \u201cA certain sense of reality\u201d; an inquiry on perception and creative processes that regulate the behavior and attitude of the actor and actress in their communication with the espectator. Woman in front of the mirror<\/em> is a performative conference that explores with the audience the quality of our attention and the necessary availability to share our experiences and sensitivity as human beings with others. Stage practice serves as research, with which to explore the idea of\u00a0 \u201clove in our profession\u201d, as defined by Michael Chejov in 1955 and related to the psychophysical processes that sustain the presence and imagination of an actor on stage. This paper discusses the role that this human faculty plays in the open awareness and availability the performer needs in order to involve the artist who she is in her creative process.<\/p>\n

\"\"<\/a><\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

AUTORA: Sol Garre Rubio \u00a0Real Escuela Superior de Arte Dram\u00e1tico de Madrid \u00a0 RESUMEN Das Letzte es una pieza de minuto y medio de video-danza basado en un poema de Else Lasker-Sch\u00fcler. La danza y el movimiento de la actriz-bailarina dio origen a Mujer frente al espejo. Este v\u00eddeo servir\u00e1 para introducir la pr\u00e1ctica-como-investigaci\u00f3n en … <\/p>\n

Seguir leyendo<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[700,699],"tags":[704,732,734,735,731],"class_list":["post-4145","post","type-post","status-publish","format-standard","hentry","category-articulos-e-co-extra-e-artisticas","category-e-co-extra-e-artisticas","tag-investigacion-artistica","tag-investigacion-y-practica-creativa","tag-michael-chekhov","tag-percepcion-del-actor","tag-practica-como-investigacion","nodate","item-wrap"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8j08t-14R","_links":{"self":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/4145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/comments?post=4145"}],"version-history":[{"count":8,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/4145\/revisions"}],"predecessor-version":[{"id":4223,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/4145\/revisions\/4223"}],"wp:attachment":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/media?parent=4145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/categories?post=4145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/tags?post=4145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}