{"id":788,"date":"2016-04-06T10:00:33","date_gmt":"2016-04-06T10:00:33","guid":{"rendered":"http:\/\/revistaeco.cepcordoba.es\/index.php\/2016\/04\/06\/50-anos-de-ensenanzas-oficiales-de-danza-en-cordoba-y-en-andalucia\/"},"modified":"2017-04-24T09:05:48","modified_gmt":"2017-04-24T08:05:48","slug":"50-anos-de-ensenanzas-oficiales-de-danza-en-cordoba-y-en-andalucia","status":"publish","type":"post","link":"https:\/\/revistaeco.cepcordoba.es\/index.php\/2016\/04\/06\/50-anos-de-ensenanzas-oficiales-de-danza-en-cordoba-y-en-andalucia\/","title":{"rendered":"50 A\u00d1OS DE ENSE\u00d1ANZAS OFICIALES DE DANZA EN C\u00d3RDOBA Y EN ANDALUC\u00cdA."},"content":{"rendered":"<p style=\"text-align: justify;\"><!--more--><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt; color: #800000;\"><b>AUTORA<\/b><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><b>M\u00aa Carmen del R\u00edo Orozco<\/b><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Conservatorio Profesional de danza \u201cLuis del R\u00edo\u201d, C\u00f3rdoba.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 12pt;\"><b>Resumen<\/b><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">El art\u00edculo pretende dar a conocer algunos aspectos\u00a0 del Conservatorio Profesional de Danza\u00a0 de C\u00f3rdoba desde que los estudios de estas ense\u00f1anzas fueron oficiales: ubicaci\u00f3n, normativa que los regula y algunas actividades singulares acerc\u00e1ndonos a la figura del profesor D. Luis del R\u00edo como primer titulado en C\u00f3rdoba, y primer profesor\u00a0 oficial de danza .Finalmente se plantean algunas propuestas de mejora que abrir\u00e1 el campo profesional de la danza.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\"><b>Abstract<\/b><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">This article aims to raise awareness about some aspects of the Professional dance Conservatory of C\u00f3rdoba\u00a0 since these artistic studies became official: location, relevant regulations\u00a0 and some unique activities related to the professor Mr. Luis del R\u00edo, who was the first titled in Cordoba and the first official dance teacher. Finally, it provides improving suggestions in order to open the professional field of dance.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2016\/04\/delrio.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1544 size-medium\" src=\"http:\/\/revistaeco.cepcordoba.es\/wp-content\/uploads\/2016\/04\/portada-eco13-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AUTORA<br \/>\nM\u00aa Carmen del R\u00edo Orozco<br \/>\nResumen<br \/>\nEl art\u00edculo pretende dar a conocer algunos aspectos  del Conservatorio Profesional de Danza  de C\u00f3rdoba desde que los estudios de estas ense\u00f1anzas fueron oficiales: ubicaci\u00f3n, normativa que los regula y algunas actividades singulares acerc\u00e1ndonos a la figura del profesor D. Luis del R\u00edo como primer titulado en C\u00f3rdoba, y primer profesor  oficial de danza .Finalmente se plantean algunas propuestas de mejora que abrir\u00e1 el campo profesional de la danza.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[36],"tags":[233,234,231,232,230],"class_list":["post-788","post","type-post","status-publish","format-standard","hentry","category-articulos-e-co-numero-13","tag-baile-flamenco","tag-coreografia","tag-danza-clasica","tag-danza-contemporanea","tag-danza-espanola","nodate","item-wrap"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8j08t-cI","_links":{"self":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/comments?post=788"}],"version-history":[{"count":4,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/788\/revisions"}],"predecessor-version":[{"id":1607,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/posts\/788\/revisions\/1607"}],"wp:attachment":[{"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/media?parent=788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/categories?post=788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistaeco.cepcordoba.es\/index.php\/wp-json\/wp\/v2\/tags?post=788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}